Book
Table of Contents for World Cinema: A Critical Introduction
- Shekhar Deshpande
- Jul 11, 2018
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The term ‘world cinema’ merely names an indisputable reality of the experiences of film practitioners, viewers, critics, students, teachers, and scholars
- Shekhar Deshpande
- Jun 12, 2018
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Chapter 1 offers a conceptual framework that navigates existing and emerging ideas in the field of world cinema, situated firmly in the context of its world literature and world music precedents.
- Shekhar Deshpande
- Jun 12, 2018
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Chapter 2 traces different, and unevenly developed, practices and habits of watching films around the world
- Shekhar Deshpande
- Jun 12, 2018
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Chapter 3 offers an account of the main production models around the world
- Shekhar Deshpande
- Jun 12, 2018
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Chapter 4 addresses the most salient feature of world cinema after the 1980s: the global boom and influence of international film festivals, which have become one of the biggest growth industries.
- Shekhar Deshpande
- Jun 12, 2018
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For nearly four decades, Indian cinema has been a strong presence on the world stage largely due to the strength of its numbers alone.
- Shekhar Deshpande
- Jun 12, 2018
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Nollywood, the video-film industry from Nigeria, emerged on the scene in the early 1990s, when film industries around the world were going through major transformations of economy, production, and ideology.
- Shekhar Deshpande
- Jun 12, 2018
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Multiple cinemas of Asian countries–China, Hong Kong, Japan, Taiwan, Korea, and other East Asian countries–are often discussed in film studies under the rubric of ‘Asian cinema.’
- Shekhar Deshpande
- Jun 12, 2018
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The transformative effect of globalization has radically redefined the status of the nation as a relevant economic, political, and cultural unit instead giving currency to the terms ‘world,’ ‘global,’ and ‘transnational’ in descriptions of the current geopolitical map
- Shekhar Deshpande
- Jun 12, 2018
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Cinema has been a transnational medium from the very beginning, from immigrant talent in Hollywood to cross-border influences of directors on one another.
- Shekhar Deshpande
- Jul 31, 2018
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The final chapter, on polyvalence, is an equally significant step in a course on world cinema
- Shekhar Deshpande
- Jun 12, 2018
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News
The growing Visual Center of Yad Vashem, The World Holocaust Remembrance Center, hopes to one day offer a platform for films in its extensive library of 12,000 videos and films to be viewed online globally.
- Shekhar Deshpande
- Jul 31, 2018
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Sarajevo’s CineLink Selects 10 Projects for Work in Progress Showcase
- Shekhar Deshpande
- Jul 31, 2018
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The US subscription-based cinema tickets had to get an emergency loan of $5m just to continue offering the service
- Shekhar Deshpande
- Jul 30, 2018
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Five UK virtual reality (VR) and augmented reality (AR) projects have been awarded funding through CreativeXR, an initiative from Digital Catapult and Arts Council England.
- Shekhar Deshpande
- Jul 30, 2018
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The Walt Disney Company and 21st Century Fox announced on Friday that stockholders of both companies have separately approved the proposed acquisition by Disney of the latter’s entertainment assets.
- Shekhar Deshpande
- Jul 30, 2018
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Vanessa Redgrave has called for the international film community to support a change in visa requirements for Kosovan citizens to travel abroad, describing the current situation as “absurdly wrong”.
- Shekhar Deshpande
- Jul 26, 2018
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The European Film Academy is planning a vigil for detained Ukrainian director Oleg Sentsov opposite the Russian Embassy in Berlin on Tuesday (July 10)
- Shekhar Deshpande
- Jul 24, 2018
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Netflix has announced its first European production hub in Madrid.
- Shekhar Deshpande
- Jul 24, 2018
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As the shock of Sunday’s fatal city shootings hung in the air, the Toronto International Film Festival (TIFF) hierarchy cancelled Tuesday’s opening press conference in favour of a more modest platform to unveil a Galas and Special Presentations line-up that includes world premieres for Steve McQueen’s thriller Widows and Claire Denis’ first English-language film, High Life.
- Shekhar Deshpande
- Jul 24, 2018
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The adoption of streaming sites in home entertainment spend by Chinese consumers is significantly ahead of the international market and by 2022 will reach around $8.3bn, nearly three times as much as the next highest country.
- Shekhar Deshpande
- Jul 23, 2018
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Classroom
The following playlist and three videos contains clips of moviegoing within Cinema Paradiso.
- Shekhar Deshpande
- Jul 09, 2018
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The following playlist celebrates the presence of moviegoing within films.
- Shekhar Deshpande
- Jul 09, 2018
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Karlovy Vary commissions festival trailers featuring prominent filmmakers and actors. The following YouTube playlist contains 34 videos of such trailers from the 29th annual film festival to the 52th.
- Shekhar Deshpande
- Jun 20, 2018
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Zhang Yimou plays with the idea of a village coming together around cinema, which works both as a metaphor about the Chinese film industry as well as speaks to the experience of going to the movies.
- Shekhar Deshpande
- Jun 13, 2018
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“Atom Egoyan’s short film Artaud Double Bill from the anthology Chacun son cinéma has become one of the most eloquent articulations of the fast-changing state of film exhibition and viewership in our times.
- Shekhar Deshpande
- Jun 13, 2018
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In celebration of the 70th edition of the Venice International Film Festival the Biennale di Venezia has created the special project, Venezia 70 – Future Reloaded.
- Shekhar Deshpande
- Jun 12, 2018
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The creation of new technologies has enabled the reorientation of individuals’ relationships to screens. Indeed, “films and screens on which they are viewed have become elastic, malleable, and ready to be relocated from film theaters” (Despande and Mazaj 38).
- Shekhar Deshpande
- Jun 12, 2018
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Nollywood is a product of a complex dialectic between external and internal forces–the history of colonialism, the global economy, local arts, traditions, religious diversity, economic and social conditions–the context of which provides useful pathways to understand the particularity of Nollywood’s aesthetics, narrative forms, and its popularity in the continent.
- Shekhar Deshpande
- Jun 12, 2018
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Helpful links to better understand World Cinema
- Shekhar Deshpande
- Jun 12, 2018
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Came across this little gem on Scroll website. My hearty thanks to Nandita Dutta from DearCinema for graciously translating the brief chat. Here it is, with a couple of micro-changes from me. The gentle idealism of his vision pervades here.
- Arcadia Cinema
- May 27, 2014
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Films
Adapting Shakespeare from the setting of Roman power struggle to contemporary India is a good fit since corporate greed extracts just as much blood in full sunlight.
- Shekhar Deshpande
- Aug 22, 2018
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The first ever feature directed by Bedouin filmmakers – and giving a rare insight into Israel’s Bedouin community – was among the 10 projects unveiled at Jerusalem Film Festival’s Pitch Point industry event over the weekend.
- Shekhar Deshpande
- Jul 31, 2018
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‘The Rise and Fall of a Small Film Company,’ a shot-on-video picture made in 1986 and having its official New York premiere in a new restoration, is one of the most diverting and substantial of these.
- Shekhar Deshpande
- Jul 30, 2018
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‘Sicario: Day of the Soldado’ is an All-American fever dream
- Shekhar Deshpande
- Jul 24, 2018
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Mike Leigh follows Mr Turner with another period film, about the killing of protestors in Manchester in 1819 that led to the founding of the Guardian
- Shekhar Deshpande
- Jul 24, 2018
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Eerie, avant-garde film installation SEANCES available to stream for free.
- Shekhar Deshpande
- Jul 23, 2018
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Ming-Liang’s new, immersive work with no dialogue wowed moviegoers of the Hong Kong International Film Festival
- Shekhar Deshpande
- Jul 23, 2018
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Alejandro G. Iñárritu’s conceptual virtual reality installation CARNE y ARENA (Virtually present, Physically invisible) explores the human condition of immigrants and refugees.
- Shekhar Deshpande
- Jul 23, 2018
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An immigrant from Senegal struggles to find happiness in France
- Shekhar Deshpande
- Jul 23, 2018
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Lebanese director Nadine Labaki delivers a powerful story about a 12 year-old boy who takes his parents to court
- Shekhar Deshpande
- Jul 17, 2018
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Charming animation from Japan takes a toddler-eye view of a new arrival in the family
- Shekhar Deshpande
- Jul 23, 2018
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