Watching Gitanjali Rao’s Tomorrow My Love (2021) is like watching an iceberg of complex emotions and states-of-mind about life, death, and the sense of goodbyes.

Dighu is traveling to a town in Konkan area to his grandparents’ place with his sister Durga and his mother. It becomes apparent that his father has suddenly left the family and they must find a home and a life.

The image of Laila (Navjot Randhawa), facing directly at the camera appears early in the film, the colorful print dress of the nomadic Gujjar-Bakwarwali tribe to which she belongs, against the backdrop of the forest behind her.

The kinetic energy of walks that Ganapathy (Karuththadaiyan) takes in P. S. Vinothraj’s debut feature film, Pebbles (2021) is palpable from start to finish.

Adapting Shakespeare from the setting of Roman power struggle to contemporary India is a good fit since corporate greed extracts just as much blood in full sunlight.

The first ever feature directed by Bedouin filmmakers – and giving a rare insight into Israel’s Bedouin community – was among the 10 projects unveiled at Jerusalem Film Festival’s Pitch Point industry event over the weekend.

‘Sicario: Day of the Soldado’ is an All-American fever dream

Mike Leigh follows Mr Turner with another period film, about the killing of protestors in Manchester in 1819 that led to the founding of the Guardian

Eerie, avant-garde film installation SEANCES available to stream for free.

Ming-Liang’s new, immersive work with no dialogue wowed moviegoers of the Hong Kong International Film Festival

Alejandro G. Iñárritu’s conceptual virtual reality installation CARNE y ARENA (Virtually present, Physically invisible) explores the human condition of immigrants and refugees.

Indonesian western marks producer Mike Wiluan’s directorial debut