Sthalpuran/ Chronicles of Space (2020), Akshay Indikar

Dighu is traveling to a town in Konkan area to his grandparents’ place with his sister Durga and his mother. It becomes apparent that his father has suddenly left the family and they must find a home and a life.

Laila Aur Satt Geet/ The Shepherdess and the Seven Songs (2020), Pushpendra Singh

The image of Laila (Navjot Randhawa), facing directly at the camera appears early in the film, the colorful print dress of the nomadic Gujjar-Bakwarwali tribe to which she belongs, against the backdrop of the forest behind her.

Pebbles (2021), P. S. Vinothraj

The kinetic energy of walks that Ganapathy (Karuththadaiyan) takes in P. S. Vinothraj’s debut feature film, Pebbles (2021) is palpable from start to finish.

Bornila Chatterjee’s The Hungry (2017) – IFFLA- U. S. Theatrical Premiere, April 13

Adapting Shakespeare from the setting of Roman power struggle to contemporary India is a good fit since corporate greed extracts just as much blood in full sunlight.

First Bedouin Feature ‘Eed’ in the Works at Jerusalem’s Pitch Point Event

The first ever feature directed by Bedouin filmmakers – and giving a rare insight into Israel’s Bedouin community – was among the 10 projects unveiled at Jerusalem Film Festival’s Pitch Point industry event over the weekend.

‘Sicario 2: Soldado’ Review

‘Sicario: Day of the Soldado’ is an All-American fever dream

Mike Leigh’s ‘Peterloo’: First Trailer For Drama About the 19th Century Massacre

Mike Leigh follows Mr Turner with another period film, about the killing of protestors in Manchester in 1819 that led to the founding of the Guardian

Stream Guy Maddin’s Haunting Experimental Film SEANCES for Free

Eerie, avant-garde film installation SEANCES available to stream for free.

Tsai Ming-Liang’s new VR work ‘The Deserted’ Embraces 360-degree Cinema

Ming-Liang’s new, immersive work with no dialogue wowed moviegoers of the Hong Kong International Film Festival

Filmmaker Alejandro Iñárritu’s Virtual Reality Installation Explores the Human Condition

Alejandro G. Iñárritu’s conceptual virtual reality installation CARNE y ARENA (Virtually present, Physically invisible) explores the human condition of immigrants and refugees.

‘Buffalo Boys’: New York Asian Film Festival Review

Indonesian western marks producer Mike Wiluan’s directorial debut

‘Amin’: Cannes Review

An immigrant from Senegal struggles to find happiness in France